Ursula K. le Guin's Lavinia: The Platypus Reads Part CXXXVIII
Being sick this week has left me with some time on my hands and that means that I've had an opportunity to finish reading Ursula Le Guin's "Lavinia" and think on it for a bit. Without further ado then, here we go. To state the premiss, "Lavinia" is a retelling of books 6-12 of Virgil's "Aeneid" in novel form and told from the point of view of the Latin princess Lavinia. The choice is a tempting one for any author as Virgil gives this important character no lines and hardly any time on stage. As a writer with feminist leanings, one can see why giving a "voice" to the "voiceless" and "objectified" Lavinia would be an instant draw for Le Guin. However, given the work itself and Le Guin's afterword, it seems as if a feminist critical intervention on one of the arch dead-white-men is the furthest thing from her mind. Instead "Lavinia" seems to spring from a deep love of Virgil's epic work and a