The Problem With Disraeli's Angles:The Platypus Reads Part LXXVIII

British Prime Minister Benjamin Disraeli once claimed that he was on the side of the angels to which G.K. Chesterton quipped: "on the side of the fallen angels, and all the imperialisms of the princes of the abyss."  Beyond simply disagreeing with Disraeli's policies, Chesterton was reacting to a common sort of gnosticism popular in the Victorian era that equated anything "spiritual" with the Good.  The problem with such an attitude is that it ignores the possibility of spiritual evil.  It wants angels but ignores demons.

Mike Mignola's occult-saturated world makes no bones about the existence of spiritual evil, but it often raises the very real problem of how to fight it.  Jesus' challenge to the pharisees with the principle that "Satan cannot cast our Satan" isn't a given for many of Mignola's protagonists.  This poses a very real problem in that if means don't matter, is it only the ends that separate Good from Evil?  What is the basis for the moral "up" and "down" in Mignola's universe?

For some time, Mignola has been playing his cards close to his chest.  However, as Hellboy's destiny accelerates with the events of "The Wild Hunt," we seem to be getting a few hints.  These hints have become stronger with the release of "Witchfinder: In the Service of Angles."  "Witchfinder" is a "Hellboy" spin-off with Victorian occult detective Sir Edward Grey as its focal character.  We know Sir Edward's fate from the "Hellboy" series, but now Mignola gives us the opportunity to see how he got there.  Without recapitulating the plot, much of the ethical drama in the work centers around the temptation for Sir Edward to fight evil with its own methods, or at the very least by stepping into gray areas (pun intended).  The warning signs already seem clear; those who use evil to fight evil pay the price in the end, and Sir Edward is danger unless he can learn this lesson.  That this is the central question for Sir Edward as a character can be seen in Hecate's words to him at the end of "Darkness Calls," that he will learn to do evil to do good and so become a traitor.

Though there's still two more novels of "Witchfinder" and an unknown number for "Hellboy" left to go, it seems like Mignola's moral universe is crystallizing; not dualist, but somewhere within the broadly Judeo-Christian tradition; perhaps somewhere in the neighborhood of Underhill and Williams. There are still a lot of twists and turns ahead though, so this analysis is merely provisional.  One thing is certain: wherever Mignola is taking us, it's one hell of a ride!