Skip to main content

Why the Leaves Change in the Fall: Academic Platypus

Our school had its graduation ceremony this Saturday.  In addition to the ceremony, an intrepid group of teachers made the rounds of four to five graduation parties as well.  It's an honor to be invited to a student's graduation party, an event usually reserved for family and close friends.  It's saying that they value what you've done for their child enough to consider you part of the family.

I was mulling this around in my head during the ceremony while a slide-show of the seniors was running along with the typical sentimental music by a popular country singer playing in the background.  One of the lines in the song struck me: "now I know why the leaves change in the Fall."  For the students, graduating is bitter-sweet since it means leaving friends and family.  It means saying goodbye to childhood.  However, the thrill of a new life and new experiences awaiting them tends to overwhelm this sober side.  For the parents, it seems to be in the reverse.  There is great joy and satisfaction in seeing a child cross the threshold and enter adulthood, but it is also an affirmation of the parents' death; one of life's great tasks has been finished and now they are left diminished.

This dynamic is what fills graduations with their special beauty.  If it is a Spring for the graduates' adult life, it is the end of their childhood and a sign that their parent's life is moving into its Autumn.  We get to see that in a crystal-clear moment at graduation and affirm it in Love as good.  Why do the leaves change in the Fall?  Because there is beauty even in aging and death if we accept it in Love.  

Comments

Popular posts from this blog

The Savage Tales of Solomon Kane: The Platypus Reads Part CCLII

I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard.  This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane.  The idea of a puritan occult detective was too intriguing to pass up.  I have the whole collection of Kane's tales and I do intend to blog them all.  Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser.   Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong.  I h...

A Treasury of Modern Fantasy (Cont.): The Platypus Reads Part CCLI

Wow, it's hard to read anthologies at anything other than a slow crawl.  The change from author to author and style to style is exhausting.  Slowing down is a good thing, though, if it makes time for reflection.  That seems like one good reason to create an anthology: to force readers to slow down and reflect. With that as a preamble, let's move on to today's selections. The Black Ferris by Ray Badbury I didn't expect to see this Sci-Fi heavy hitter in a Fantasy collection, but there you go.  I've tried to get into Bradbury once or twice and failed.  His Martian Chronicles , in particular, resisted all my best efforts.  This short story, however, worked like a charm.  The sense of atmosphere in particular is masterfully done (a sort of Tom Sawyer strays into Edgar Allan Poe).  My only complaint is that there isn't more of it, but apparently Bradbury already fixed that by expanding the story into Something Wicked This Way Comes. This raise...

The Platypus Reads Part XXVII

Thoughts after reading the "Iliad" to prepare a Greece unit for my students: -Hector is a jerk until he's dead. He even advocates the exposure of Achaean corpses and then has the cheek to turn around and ask Achilles to spare his. He rudely ignores Polydamas' prophecies and fights outside the gate to save his pride knowing full well what it will cost his family and city. After he's dead, he becomes a martyr for the cause. -Agamemnon has several moments of true leadership to balance out his pettiness. In this way, he's a haunting foil to Achilles: the two men are more alike than they want to acknowledge. -We see that Achilles is the better man at the funeral games of Patroclos. His lordliness, tact, and generosity there give us a window into Achilles before his fight with Agamemnon and the death of Patroclos consumed him. -Nestor is a boring, rambling, old man who's better days are far behind him, and yet every Achaean treats him with the upmo...