I finished reading the Iliad today in the original Greek. It's taken about year to do with a year of prep work beforehand. What advantage was there in reading a book that I've already read in several English translations? First, there's the sound of the Greek and it's original meter. Second, the slow pace forces you to consider each section and even each sentence with greater care. Third, you begin to notice repeated words and phrases that don't carry over well in translation. Fourth, you begin to understand more fully what scholars and other readers of the language are talking about when they discuss the Iliad or Ancient Greek writings more generally. Finally, I just scratched one thing off my bucket list. Hip, Hip, Huzzah!
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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