One of the benefits of being married is that you get to see old and familiar things through a new set of eyes. My wife and I have recently been working our way through "Jane Eyre," for instance. Last night, we watched and old favorite of mine, "Princess Mononoke." My wife, who spent two years in a village in equatorial west Africa remarked that she was impressed by how well the film represents a functioning anamistic worldview. In fact, the whole film is about worldview; worldviews in conflict. That seems to be a particular virtue of anime; its ability to authentically express and robustly handle questions of worldview. Would that American cinema would take a page from the Japanese in this department! I think we're learning, though. Shows like "Firefly" give me a bit of hope. We'll see what cinematic favorite my wife and I light on next. We've already watched "Spirited Away." Maybe it's time to move from movies to television. Anyone out there willing to part with "Trigun" for a little while. ;-)
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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