Webbed Comics? The Platypus Reads Part LII

I re-read Bill Waterson's "Calvin and Hobbes 10th Anniversary Edition" a little while back. In it, Waterson lays out his comic author's manifesto. Looking at the funny papers today, it seems as if his push for greater creative freedom in that sphere has gone totally unheeded, and the doom Waterson prophesied is about to be fulfilled. Fifteen years ago, however, he was shrugged off as an idealistic crank. This sense of being treated like the "Cassandra of comics" seems to have played a part in Waterson's decision to retire early. Then it seemed as if a lone voice of dissent had been snuffed, but the world would go on. As we know today, Waterson's predictions were on target, and far from being a crank, he was prophetic and ahead of his time. Just as the rise of the internet is quickly making newspapers obsolete, the chance for artistic freedom offered by the internet is making the newsprint comic obsolete. In the rise of the web comic, we see an answer to the call Bill Waterson raised almost two decades ago. Web comic artists are free from the exploitative licencing agreements that wrenched comics away from their creators. Without the format restrictions imposed by print media, web comic authors are free to design their own layouts and take up as much or as little space as they want. Finally, without syndicates and editors, authors are able to create whatever they want and go direct to the public with it. The world Waterson's manifesto laid out has come.