I'm back in Tennyson --with seniors this time. The higher grade level means that we can go even deeper than we did last year. It also means that I feel more comfortable teaching it my way with free-wheeling associations galore. I've brought up Kennedy's Camelot, Bob Dylan (The Times They Are a Changein'), Simon and Garfunkel (The Sound of Silence), The Band Perry (If I Die Young), Hellboy (The Wild Hunt, and The Storm), and "The Lord of The Rings." Showing the students Mignola's re-telling of the story of Nimue and Merlin right when they were reading through Tennyson's "Merlin and Vivian" was priceless. I also enjoy any chance I get to read passages from Tolkien out loud. Fun times.
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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