Skip to main content

What Else Has the Platypus Been Reading: The Platypus Reads Part CIX

So not everything this summer has been my usual return to pulp.  We've been part of a reading group and that has given me the opportunity to expand my reading beyond its normal confines.  I love the old classics and, conversely, I have great difficulty with many of the "new classics."  However, their newness and my lack of interest don't make them any less important.  Indeed, as I now teach moderns, knowing them a bit better has become a necessity.  Even if it wasn't, I still believe in reading broadly.  So here's what I've been torturing myself with: "Hannah Coulter" by Wendel Berry, "Gilead" by Marilynne Robinson, and "Brideshead Revisited" by Evelyn Waugh.  N.B.- I have ranked them in the order of preference from least to greatest.

Now there is something odd I've discovered: I prefer the dead Brit to the living Americans.  That could be because I have studied at Oxford (the setting of the first part of "Brideshead Revisited") and have only grown up next to farms.  It could also be that I'm not a woman and I'm not a pastor or the son of a pastor but I do know a few things about college friendships (even if Waugh is writing about homoerotic ones and I've only experienced heterosexual ones) and maturing to the age of thirty.  I also found "Hannah Coulter" ponderously slow and rather preachy, "Gilead" less slow (but still ponderous) and less preachy, and "Brideshead Revisited" neither slow, nor ponderous, nor (oddly as it's a Catholic apologetic) preachy.  I found all of them technically excellent and all of them to have great depths to their themes and messages.  All three were definitely books worth reading, but I'm still just a little stuck on my order of preference.

Now this brings me to a question I find interesting.  How much does our liking for a work depend on our ability to identify with its world and protagonist(s)?  Before you jump in, think about all the fantasy and science fiction you like.  Have you ever been to the Moon, been promoted to general, been chased by a cyclops, lived for a thousand years, or made first contact with an alien species?  So the connection must be at some sort of deeper level.  Could it be gender?  Have you ever really enjoyed a book with a protagonist of the opposite sex?  Then what is it?  A similar life journey or a similar view of the world?  But I like "Dune" and I'm neither a materialist nor a world-traveling journalist.  Nietzsche preaches a worldview that I find noxious and yet I love reading him.  So my big question remains: why do we like the books we like?

Comments

Popular posts from this blog

The Platypus Reads Part XXVII

Thoughts after reading the "Iliad" to prepare a Greece unit for my students: -Hector is a jerk until he's dead. He even advocates the exposure of Achaean corpses and then has the cheek to turn around and ask Achilles to spare his. He rudely ignores Polydamas' prophecies and fights outside the gate to save his pride knowing full well what it will cost his family and city. After he's dead, he becomes a martyr for the cause. -Agamemnon has several moments of true leadership to balance out his pettiness. In this way, he's a haunting foil to Achilles: the two men are more alike than they want to acknowledge. -We see that Achilles is the better man at the funeral games of Patroclos. His lordliness, tact, and generosity there give us a window into Achilles before his fight with Agamemnon and the death of Patroclos consumed him. -Nestor is a boring, rambling, old man who's better days are far behind him, and yet every Achaean treats him with the upmo...

California's Gods: Strange Platypus(es)

We've noticed lately a strange Californian dialectical twist: there, freeways take the definite article.  In other parts of the country one speaks of I 91 or 45 North.  In California, there's The 5, The 405, The 10.  Each of these freeways has its own quirks, a personality of sorts.  They aren't just stretches of pavement but presences, creatures that necessitate the definite article by their very individuality and uniqueness.  They are the angry gods to be worked, placated, feared, for without them life in California as we know it would cease.  Perhaps that's fitting for a land whose cities are named for saints and angels.  Mary may preside over the new pueblo of our lady of the angels, but the freeways slither like gigantic serpents through the waste places, malevolent spirits not yet trampled under foot.

Seeing Beowulf Through Tolkien: The Platypus Reads Part CXCIX

After spending a few weeks wrestling with Tolkien's interpretation of Beowulf , I found myself sitting down and reading Seamus Heaney's translation of the text during a spare moment.  I came to the place where Beowulf presents Hrothgar with the hilt of the ancient sword that slew Grendel's mother.  Hrothgar looks down at the hilt with its ancient runes and carvings depicting the war between the giants and God and meditates on the fortunes of men.  In a flash of insight, I thought: this is the whole poem! Let me explain.  Tolkien believed that the genuine contribution of the Northern peoples to European culture was the theory of courage.  The Northern heroes, at their best, were men who fought for order against chaos -a battle they knew they were doomed to lose.  If they were true heroes, their souls would join the gods and aid them in the final battle against darkness and its monsters and again go down fighting, spitting in the face of the meaninglessness...