The last few posts can be explained as the results of two weeks spent teaching T.S. Eliot. I wanted to try and write my own five part Wasteland/Quartet for kicks and giggles (and apparently to inflict it on the rest of you). As with "The Wasteland," there is a literary key to the work, John Demos' The Unredeemed Captive. Individual incidents that inspired the work include: a trip to an exhibit of Eastern Orthodox icons, finding out that my favorite tea company had moved from Connecticut to New York, meditations on the California Freeways, The Oresteia, studying at Oxford as an undergraduate, and, of course, growing up in rural southern Connecticut (that pernicious habit). So, until next time: Weiweilalala.
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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