I did some thinking after my original analysis of Fantasy Flight's cooperative board game Eldritch Horror. One of the draws of the game seems to be its way of mirroring life. The investigators are presented with a set of unknown challenges that may or may not be solvable in the time allowed. These challenges are revealed one at a time as the game progresses and are of differing complexities and difficulties. Each round, the investigators create a plan for solving the current challenge and attempt to put it into effect. This would be hard enough except that at the end of every round a card is drawn that vastly complicates the situation. These are the Mythos Cards. Mythos cards come in three varieties and three level of difficulty. Each mythos card creates a variety of helps or challenges according to its type as well as adding a new element to the plot. The investigators may be down on their luck and suddenly find themselves presented with a host of clues plus a little aid from the Silver Twilight Lodge. Alternatively, the investigators may have finished a grueling round of battle only to find that the Ancient Ones have revived their defeated foes. And that's how life works. In the end, there is very little that we can actually control. Most of what we can control is in the way we react to outside events. What do we do when our plans are laid asunder? How do we deal with sudden windfalls? These are the choices that make or break us as we set out in an uncertain world.
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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