...down from the door where it began... Monday I will be heading back to CSUF to finish off my last year of study. It's time for the Master's Thesis! After a year of colonialism, modernity and post-modernity, it's time to head back to the Greeks. The Greeks are strange to me, but there is so much to learn from them. I went back through the Odyssey this summer and I've been busy with Brenard Knox's preface to Fagles translation of the Iliad. To truly understand the Ancient Greeks, one must understand these two works. That is a task! But it's the job that never gets started as takes longest to finish, as Sam Gamgee would say. The platypus tends to agree.
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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