Skip to main content

The Platpus Reads Part III


I grew up in Shelton, Connecticut; a small, rural town straddling the Housatonic River. It was a land of forests, rolling hills, and quiet rivers. Thus, imagining J.R.R. Tolkien's Shire was never very hard for me. I often felt as though I lived in it.

Being on the East Coast, there was a lovely sense of history to Shelton; though it pales in comparison with that of Tolkien's England. Main Street was still dominated by the shells of the old mills and the J.P. Morgan Restaurant; from a time when the great robber-baron himself had high hopes for the town. The Plumb Memorial Library still sported its quaint Victorian exterior, my friend lived in a 200 year old converted farm-house, many of the churches were at least that old, and crisscrossing the woods were miles and miles of stone walls, stone foundations, and little old cemeteries.

Quaint. Charming. But I never thought then what all this beauty meant. Shelton is part of a dying civilization. You can tell from the size of the trees, all thin and slender, the growth of the last fifty years. Two hundred years ago, they were mostly felled to make room for the bustling farms and homesteads that all those walls marked out. These were the days when Connecticut was part of the largest concentration of America's population: the Industrial North. It was Connecticut arms, forged by the great American gun companies, placed in the hands of men from New York, Ohio, and Massachusetts, that crushed the under-populated South and put an end to the "War Between the States." The rotting hulk of the great Colt Arms Factory can still be seen on the Hartford skyline, like the dome of Osgiliath. Now, thanks to AC, people are pouring in to Charlotte while each census quietly removes another house seat from the armory of her conquerors. But it is more than that. The families I knew growing up add to the tale. How many of them boasted two children, or only one? We were part of a rather conservative circle where three was thought average, but five was unnervingly large. Like old Europe, New England is slowly dying out.

This is one reason that Tolkien's works speak so powerfully to me: they are haunted with a sense of loss and decline. The old stone work of Minas Tirith is better than the new. Many houses in the White City stand empty. Beregond reflects that there were always too few children in the city. The realm of Arnor is lost. Eriador is depopulated. There are no more entings. Even the long life granted Aragorn is paltry in comparison to that of his longfathers. With the exception of Rohan and the Shire, everywhere we turn in Tolkien's world we see that the civilizations are not as great as those that preceded them. For a Yankee, at least, that rings true.

Comments

Popular posts from this blog

The Savage Tales of Solomon Kane: The Platypus Reads Part CCLII

I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard.  This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane.  The idea of a puritan occult detective was too intriguing to pass up.  I have the whole collection of Kane's tales and I do intend to blog them all.  Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser.   Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong.  I h...

A Treasury of Modern Fantasy (Cont.): The Platypus Reads Part CCLI

Wow, it's hard to read anthologies at anything other than a slow crawl.  The change from author to author and style to style is exhausting.  Slowing down is a good thing, though, if it makes time for reflection.  That seems like one good reason to create an anthology: to force readers to slow down and reflect. With that as a preamble, let's move on to today's selections. The Black Ferris by Ray Badbury I didn't expect to see this Sci-Fi heavy hitter in a Fantasy collection, but there you go.  I've tried to get into Bradbury once or twice and failed.  His Martian Chronicles , in particular, resisted all my best efforts.  This short story, however, worked like a charm.  The sense of atmosphere in particular is masterfully done (a sort of Tom Sawyer strays into Edgar Allan Poe).  My only complaint is that there isn't more of it, but apparently Bradbury already fixed that by expanding the story into Something Wicked This Way Comes. This raise...

My Broken Wings: The Platypus Watches Trinity Blood

My questions were not all answered.  That's par for the course when dealing with anime.  Most anime is based on manga.  That means that an immense amount of plot and character development from a 24+ volume series must be condensed into 24 30 minute episodes.  In many cases, the anime is produced before the manga is even finished.  Thus, not having a satisfactory conclusion to an anime series is par for the course.  Most times, I accept this and shrug it off.  In the case of "Trinity Blood," however, I found its incomplete ending oddly fitting.  Let me explain. "Trinity Blood" is chiefly about brokenness.  The ending song with its chorus of "my broken wings" gives it away.  The setting, a post-apocalyptic Europe, gives it away as well.  In fact, every one of the characters in the world of "Trinity Blood" is broken in some way.  We see a young Pope, broken by the political machinations of his older siblings.  We see a y...