I've just finished reading John Garth's "Tolkien and the Great War," and the experience has been well worth it. Garth focuses on Tolkien's early life to a much greater degree than either Carpenter or Shippey and in so doing serves as a necessary corrective to both. In fact, Garth takes a few polite shots at Carpenter, and so presents us with a better picture of Tolkien's generosity and gregariousness. He also devotes a greater amount of time to analyzing the "Book of Lost Tales" and the origins of Tolkein's legendarium. Another bonus is the greater emphasis placed on Tolkien's pre-Inklings friendships and his relationship with Edith as formative influences on his work. All in all, I felt that "Tolkien and the Great War" actually advanced my understanding of Tolkien's writings and Tolkien the man. If you're a fan of Middle Earth, this one's well worth the read.
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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