A thought occurred to me while going over my previous reviews of Robert E. Howard's Conan stories: "how does The Hour of the Dragon show Conan's continuing moral evolution?". Howard's first story, The Phoenix on the Sword, depicts Conan as an enlightened monarch who has delivered the people of Aquilonia from oppression. As Howard transitions in the stories that follow to discuss Conan's younger years, his hero becomes increasingly selfish, violent, and lustful. This "Conan the Reaver" was meant to sell, but it also created a plausible moral trajectory for the character. By the time we get to The Valley of Lost Women, we see that Conan does have moral compunctions that grow out of his primitive "warrior's code." As Howard pushed on to writing longer Conan stories, this moral germ began to grow. In The People of the Black Circle we see Conan feeling a genuine sense of responsibility for the tribesmen he governs. He has learned moderation and is beginning his transformation into a leader capable of governing an Empire. The Hour of the Dragon brings Conan back full circle to The Phoenix on the Sword. We see Conan absorbed with the just ruling of his people. Even more significant for the character's moral development, we see him twice offered an opportunity to return to his former life either as the builder of a new empire with the aid of the Poitainians or as a return to Amra of the black corsairs. In both cases, Conan's sense of duty and the proper bounds of rule cause him to reject the temptations of the past and stay true to his quest to rescue his people from foreign domination. The book ends with a final acceptance of duty over personal autonomy when Conan vows to marry Zenobia.
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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