I have a tennis game at 11:00. "Tell the Dauphin that when we have played a set we shall strike his father's crown into the wager..." Ok, so I couldn't resist a little Henry V. Interestingly enough, tennis was already all the rage among nobles and spreading to the wealthy commons in the 14th century (100 years before Prince Hal). In many ways, that's what you might call the beginning of the modern era. Of course, in history, claims for the beginning of the modern era keep creeping backward until Ulysses' Trojan horse is the marker. That probably should tell us something about the unchanging nature of man in spite of his changing circumstances. Whatever the scene, man is the great spectacle, as G.K. Chesterton would say, and all of heaven clamours "let him play again!" Most of us resist that thought instinctively, but Chesterton actually makes it compelling. Goethe does that as well with his "Faust". These are the things I think of when I'm waiting. The Platypus just reads "Calvin and Hobbes".
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
Comments