Je ne sais pas que vous dit, mais le porte de ma couer est ouvre maintenant; et tout le monde est different. Perhaps Lewis would forgive my broken French, but I've been reading through George MacDonald's "Phantasties" and that seems to be as best as I can describe what both Lewis and MacDonald say in so many of their works. Tout le monde est different. Je parle a les intelligents. Il qui ne sais pas, pour il, mon esprit est blanc. In the dark and tangled woods of Fairy Land we pursue the thing as it is. The vale is drawn back and the metaphor found to be more real than what we thought it represented, for we are in Fairy Land if we have the eyes to see it. Beren and Luthien still dance through the moonlit glades where once a quiet Oxford don and an English country-girl walked hand in hand beneath the hemlock umbels tall and fair. I have been there. I know. There it is ever Autumn and the Platypus sings his songs by the river in the moonlight. If you go there you may see him in a forest glade where he dances the harvest dance for the Lady of Autumn and her knight.
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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