Skip to main content

Final Fantasy VII (A Day Late and a Dollar Short): Platypus Nostalgia

So here's to the one I never got to play.  Some of us missed the bus when SquareSoft made the jump to Play Station.  The most I saw of Final Fantasy VII when I was growing up was thirty or so minutes of the opening.  Since then, I've heard nothing but rave reviews, but with no Play Station, no game.  The fact that a PC version was released at the same time seems to have escaped me.  Anyhow...  Steam was running a sale on the PC version this past Christmas and I decided it was time to finally sit down and find out what all the flap was about.  So here are my thoughts; a decade late and more than a dollar saved.

The first thing I noticed (especially after having just replayed Final Fantasy VI) was the huge leap forward in graphics from previous titles.  We not only get a more visually dynamic battle arena, we also get a more subtle medium for story-telling culminating in several extended and well-done cinematics.  The polygons are clumsy by today's standards and there are places were the flat, static, 16 bit animation of previous games is aesthetically superior, but the new technology was definitely worth pioneering.

The second point that stood out to me was the decisive choice to pursue a sci-fi aesthetic over a high fantasy aesthetic.  This choice has dominated all subsequent games under the main title (as opposed to the Tactics series).  I don't know exactly what I think of that.  The Final Fantasy games share a distinctive visual style, so perhaps this is an example of things becoming more what they are over time.  The style certainly promises to create a singularly striking set of visuals in Final Fantasy XV (if the trailers can be believed).

The third point would be changes in the actual game play.  The relatively small amount of equipment each character can use simplifies things a good deal.  The large breath of skill, magic, and stat related materia also makes the characters largely blank slates as far as their battle-field performance.  I don't know what I think about those two changes.  Customizing materia is fun, but I felt that the equipment changes closed off creativity in an area where I liked it and the materia broadened out my choices in a place where I liked limitations.  Still, here's the world's smallest violin playing for me...  It was something new, and that was fun in itself.  Moving on, I noticed a huge proliferation in mini-games and side-quests.  These should have enriched the game play, but my little lappy isn't rigged for button-mashing so that they proved a real and persistent frustration in the PC version.

Finally, there's the story itself.  While I enjoyed the sweeping epic, I did find it occasionally hard to follow the characters' motivations.  It seems that their guiding star is always "whatever Shinra's doing. let's do the opposite".  Sometimes, as when Shinra's trying to save the planet and defeat Sephiroth, I was genuinely stumped as to why we didn't all join forces.  That could be an issue of information lost when the dialog was translated into English or perhaps I missed a side-quest or two that would have helped.  There's also a sense, like in Disney's Atlantis that the designers were caught between wanting to tell a more adult story but having to rely on a younger audience.  The game wavers fairly consistently between the adult and Juvenal.  Maybe that's appropriate if your main audience are teenagers, but I work with teenagers and they're usually quicker to savage "kiddy-stuff" than I am.  Those things aside, I did enjoy the story.  The sheer amount of things to discover was enormous and I was constantly kept guessing.  Cloud's plotline was engaging and I enjoyed the awkward rivalry between Tifa and Aeris.  Barret is also just a fun bloke, and I enjoyed learning his story.  Everyone else in the ensemble didn't feel like they had much to offer, but they didn't particularly detract either.  Actually, I had some fun watching the Turks and the Shinra leadership work out their own journeys and I would have liked to have seen more of Sephiroth as the most compelling villain of the series so far.

Well, c'est ca.  A bit rambling, perhaps, but I wanted to get my thoughts out while they were still fresh (that is within a couple hours of finishing the game).  I still have to finish my replay of Ocarina of Time where I'm in the middle of Ganon's palace and shy one bottle.  Maybe I can get back to that once summer starts.  Until then, it's been fun.  If you'd like to share your own thoughts on Final Fantasy VII or the series in general I would really like to hear them -please feel free to leave a comment.    

Comments

Popular posts from this blog

The Savage Tales of Solomon Kane: The Platypus Reads Part CCLII

I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard.  This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane.  The idea of a puritan occult detective was too intriguing to pass up.  I have the whole collection of Kane's tales and I do intend to blog them all.  Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser.   Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong.  I h...

A Treasury of Modern Fantasy (Cont.): The Platypus Reads Part CCLI

Wow, it's hard to read anthologies at anything other than a slow crawl.  The change from author to author and style to style is exhausting.  Slowing down is a good thing, though, if it makes time for reflection.  That seems like one good reason to create an anthology: to force readers to slow down and reflect. With that as a preamble, let's move on to today's selections. The Black Ferris by Ray Badbury I didn't expect to see this Sci-Fi heavy hitter in a Fantasy collection, but there you go.  I've tried to get into Bradbury once or twice and failed.  His Martian Chronicles , in particular, resisted all my best efforts.  This short story, however, worked like a charm.  The sense of atmosphere in particular is masterfully done (a sort of Tom Sawyer strays into Edgar Allan Poe).  My only complaint is that there isn't more of it, but apparently Bradbury already fixed that by expanding the story into Something Wicked This Way Comes. This raise...

The Platypus Reads Part XXVII

Thoughts after reading the "Iliad" to prepare a Greece unit for my students: -Hector is a jerk until he's dead. He even advocates the exposure of Achaean corpses and then has the cheek to turn around and ask Achilles to spare his. He rudely ignores Polydamas' prophecies and fights outside the gate to save his pride knowing full well what it will cost his family and city. After he's dead, he becomes a martyr for the cause. -Agamemnon has several moments of true leadership to balance out his pettiness. In this way, he's a haunting foil to Achilles: the two men are more alike than they want to acknowledge. -We see that Achilles is the better man at the funeral games of Patroclos. His lordliness, tact, and generosity there give us a window into Achilles before his fight with Agamemnon and the death of Patroclos consumed him. -Nestor is a boring, rambling, old man who's better days are far behind him, and yet every Achaean treats him with the upmo...