Skip to main content

Sledding and Snow Goons: The Platypus Reads Part CCLXVII

My reading of Calvin and Hobbes has progressed to Attack of the Deranged, Mutant, Killer, Monster Snow Goons.  Watterson reached a new level of art and story-telling in this volume, and it's been one of my favorites since childhood.  There's a sharp and cynical Yankee wit that pervades the pages culminating in Calvin's calling upon "the mighty and awful Snow Demons" to animate a frosty homunculus.  Of course, he gets his faustian, yet comical, comeuppance for his meteorological-theological blasphemy.  This sort of warped humor makes sense to kids who spent most sixth-grade lunch periods discussing the finer points of world domination and arguing over who would rule which subject populations when we inevitably succeeded.

While we're on a trip down memory lane, I'd also like to give a nod to the sledding scenes.  Watterson writes sledding in the way I experienced it as a kid (particularly the big blizzard of '96).  We had those awful little sleds that you couldn't steer and we'd start at the top of the hill and coast down, trying to avoid the boulder, and then have to bail out before going over the cliff into the woods.  There were plenty of wipe-outs including taking out one of Mom's holly bushes and not a few trips over the cliff into the woods with accompanied flying and sprawling.  We narrated these exploits with all the over-blown "mount-maim" rhetoric Calvin employs in the strip.

Which brings me to my final point: how much did Watterson shape the world of the kids who read his comics when they ran daily in the papers?  Did we like Calvin and Hobbes' sledding adventures because they mirrored our reality, or did we interpret our reality through the looking glass of Watterson's story?      

Comments

Popular posts from this blog

The Savage Tales of Solomon Kane: The Platypus Reads Part CCLII

I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard.  This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane.  The idea of a puritan occult detective was too intriguing to pass up.  I have the whole collection of Kane's tales and I do intend to blog them all.  Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser.   Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong.  I h...

A Treasury of Modern Fantasy (Cont.): The Platypus Reads Part CCLI

Wow, it's hard to read anthologies at anything other than a slow crawl.  The change from author to author and style to style is exhausting.  Slowing down is a good thing, though, if it makes time for reflection.  That seems like one good reason to create an anthology: to force readers to slow down and reflect. With that as a preamble, let's move on to today's selections. The Black Ferris by Ray Badbury I didn't expect to see this Sci-Fi heavy hitter in a Fantasy collection, but there you go.  I've tried to get into Bradbury once or twice and failed.  His Martian Chronicles , in particular, resisted all my best efforts.  This short story, however, worked like a charm.  The sense of atmosphere in particular is masterfully done (a sort of Tom Sawyer strays into Edgar Allan Poe).  My only complaint is that there isn't more of it, but apparently Bradbury already fixed that by expanding the story into Something Wicked This Way Comes. This raise...

My Broken Wings: The Platypus Watches Trinity Blood

My questions were not all answered.  That's par for the course when dealing with anime.  Most anime is based on manga.  That means that an immense amount of plot and character development from a 24+ volume series must be condensed into 24 30 minute episodes.  In many cases, the anime is produced before the manga is even finished.  Thus, not having a satisfactory conclusion to an anime series is par for the course.  Most times, I accept this and shrug it off.  In the case of "Trinity Blood," however, I found its incomplete ending oddly fitting.  Let me explain. "Trinity Blood" is chiefly about brokenness.  The ending song with its chorus of "my broken wings" gives it away.  The setting, a post-apocalyptic Europe, gives it away as well.  In fact, every one of the characters in the world of "Trinity Blood" is broken in some way.  We see a young Pope, broken by the political machinations of his older siblings.  We see a y...