The Freemasons are well represented in most nineteenth
century cemeteries and Shelton is no exception.
One reason for this is that the Free Masons used to guarantee their
members burial and a tombstone. In some
cases this produced markers of unusual magnificence.
This particular example features a host of symbols including the Sun,
Moon, All-Seeing Eye, and the Ark of the Covenant. The symbol to the left of the arch and beneath
the Sun is one I don’t know how to read.
The dead try to tell us things in their tombstones, but often the secret
is lost on those of a later generation.
All seek to say “I lived, I mattered”.
This stone caught my eye with its strangeness. How many others in the cemetery did I pass
over without a thought?
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...
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