Today, I am merging my linguistic and artistic endeavors. Here, we have one of the practice doodles I've been learning how to do with the Septuagint text of Gensis 1:1a. Evidently, I'm also learning how to create textual variants (gotta keep Bart Ehrmann happy somehow) as my text is missing several accent marks and has misplaced the word "was" in lines 5 and 6. At least it's inerrant in the autograph... Which if you got to hear Dr. Gary Rendsburg's paper at the Lanier is a product of a Davidic redaction anyway (now that's interesting!)...
I needed a break from A Treasury of Modern Fantasy (too many authors and too many styles coming in too fast) so I decided to turn back to an author whose work I've enjoyed exploring: Robert E. Howard. This time, however, I decided to skip over Howard's famous Conan yarns and instead take a look at one of his earlier creations, Solomon Kane. The idea of a puritan occult detective was too intriguing to pass up. I have the whole collection of Kane's tales and I do intend to blog them all. Right now, my little literary detour has only encompassed the first two short stories so I'm going to record my thoughts on them right away and get back to the rest as I have time. Skulls in the Stars Solomon Kane makes his debut with this classic bit of English Gothic including a haunted moor, a vengeful ghost, and a solitary miser. Howard's Kane fits the portrait of the archetypal puritan: grim, principled, metaphysical, with an iron sense of right and wrong. I h...

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