Skip to main content

The Haunting of Hill House: Film Platypus

I'm currently in the middle of Netflix's series "The Haunting of Hill House". I've never read the book, but the writers, director, and cast have turned it into a powerful piece of film. This is the kind of thing I wish I could write and can't get close to even on my best days.

Like so many of the best Horror pieces, this one isn't about ghosts and ghoulies so much as it is about how families and individuals respond to trauma. The "haunting" is first and foremost a metaphor. The labyrinthine eponymous house is a metaphor for the twists and turns of the human mind. We all have our ghosts. Some of choose to flee into addiction. Some of us build up walls. Others of us choose to role play confidence we don't feel or dependency in the hope that others will solve our problems for us. Of course, we can confront our fears, but that is where the real problem lies.

If we go it alone, our horrors can overwhelm us. It is not good for Man to be alone. Enter the need for community and community at its most basic: the family. But communities are broken and families are made up of broken individuals. That is the "The Haunting of Hill House": how do we face our demons in an imperfect and broken world. Does our brokenness doom us to be forever "trapped in the house" as part of an "infernal family"? After all, Sartre said "Hell is other people".

I haven't finished the series yet, so I'll hold off on any further comments. In the meantime, here is my first homage to this horror classic: "The Bent Neck Lady". I didn't see it coming. Did you?

Comments

Popular posts from this blog

The Platypus Reads Part XXVII

Thoughts after reading the "Iliad" to prepare a Greece unit for my students: -Hector is a jerk until he's dead. He even advocates the exposure of Achaean corpses and then has the cheek to turn around and ask Achilles to spare his. He rudely ignores Polydamas' prophecies and fights outside the gate to save his pride knowing full well what it will cost his family and city. After he's dead, he becomes a martyr for the cause. -Agamemnon has several moments of true leadership to balance out his pettiness. In this way, he's a haunting foil to Achilles: the two men are more alike than they want to acknowledge. -We see that Achilles is the better man at the funeral games of Patroclos. His lordliness, tact, and generosity there give us a window into Achilles before his fight with Agamemnon and the death of Patroclos consumed him. -Nestor is a boring, rambling, old man who's better days are far behind him, and yet every Achaean treats him with the upmo...

California's Gods: Strange Platypus(es)

We've noticed lately a strange Californian dialectical twist: there, freeways take the definite article.  In other parts of the country one speaks of I 91 or 45 North.  In California, there's The 5, The 405, The 10.  Each of these freeways has its own quirks, a personality of sorts.  They aren't just stretches of pavement but presences, creatures that necessitate the definite article by their very individuality and uniqueness.  They are the angry gods to be worked, placated, feared, for without them life in California as we know it would cease.  Perhaps that's fitting for a land whose cities are named for saints and angels.  Mary may preside over the new pueblo of our lady of the angels, but the freeways slither like gigantic serpents through the waste places, malevolent spirits not yet trampled under foot.

Seeing Beowulf Through Tolkien: The Platypus Reads Part CXCIX

After spending a few weeks wrestling with Tolkien's interpretation of Beowulf , I found myself sitting down and reading Seamus Heaney's translation of the text during a spare moment.  I came to the place where Beowulf presents Hrothgar with the hilt of the ancient sword that slew Grendel's mother.  Hrothgar looks down at the hilt with its ancient runes and carvings depicting the war between the giants and God and meditates on the fortunes of men.  In a flash of insight, I thought: this is the whole poem! Let me explain.  Tolkien believed that the genuine contribution of the Northern peoples to European culture was the theory of courage.  The Northern heroes, at their best, were men who fought for order against chaos -a battle they knew they were doomed to lose.  If they were true heroes, their souls would join the gods and aid them in the final battle against darkness and its monsters and again go down fighting, spitting in the face of the meaninglessness...